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Monday Notes

Amanti, Ella FItzgerald sings Manuel De Sica’s A Place For Lovers

[Monday Notes no. 133] A Place For Lovers is a song written by Manuel De Sica as the soundtrack for the film Amanti directed in 1968 by his father Vittorio De Sica. This is not one of the great director’s masterpieces, while the music is definitely worth mentioning. I have therefore tried to analyse how…Continue readingAmanti, Ella FItzgerald sings Manuel De Sica’s A Place For Lovers

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Monday Notes

Judy Garland sings Smile by Charlie Chaplin

[Monday Notes no. 126] Smile, the song written by Charlie Chaplin for his film Modern Times, is more difficult to sing than it may seem. The difficulty, however, is not technical, but in interpretation. Let us therefore see how Judy Garland overcame these difficulties, producing a truly memorable interpretation of Smile.Continue readingJudy Garland sings Smile by Charlie Chaplin

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Monday Notes

Michel Legrand, I Will Wait For You. A touch of France and a touch of jazz

[Monday’s Notes No. 102] Michel Legrand was one of the greatest composers of French song. A composer, arranger, conductor, and jazz pianist, thanks to his fantastic melodies and never trivial harmony his songs have also entered the jazz repertoire. Let’s listen to and analyze I Will Wait For You.Continue readingMichel Legrand, I Will Wait For You. A touch of France and a touch of jazz

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Monday Notes

Jack Haley, If I Only Had a Heart. A fable about artificial intelligence

[Monday Notes no. 68] Although the most famous song from the musical film The Wizard of Oz is Somewhere Over the Rainbow, the most important song for the unfolding of the story is undoubtedly If I Only Had a Heart. The song is performed in turn by Dorothy’s three companions: the tin man, the scarecrow…Continue readingJack Haley, If I Only Had a Heart. A fable about artificial intelligence

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Monday Notes

Armando Trovajoli, Le canard a l’orange. The Italian School of Film Music

[Monday Notes n.52] Armando Trovajoli was a great interpreter of the Italian school of film music. In his music he gathers ideas and suggestions from different musical genres: from string orchestra to rock, from South American music to jazz. Let’s analyze the main theme of the movie Le canard a l’orange.Continue readingArmando Trovajoli, Le canard a l’orange. The Italian School of Film Music

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Monday Notes

Gassmann blues, Piero Umiliani’s music for I soliti ignoti by Monicelli

[Monday Notes n.153] For the soundtrack of the film I soliti ignoti the director Mario Monicelli chose a young Florentine musician named Piero Umiliani. Monicelli wanted a completely jazzy soundtrack, an unusual choice at the time. Let us analyse the main theme entitled Gassmann Blues.Continue readingGassmann blues, Piero Umiliani’s music for I soliti ignoti by Monicelli

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