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Monday Notes

Armando Trovajoli, Le canard a l’orange. The Italian School of Film Music

[Monday Notes n.52] Armando Trovajoli was a great interpreter of the Italian school of film music. In his music he gathers ideas and suggestions from different musical genres: from string orchestra to rock, from South American music to jazz. Let’s analyze the main theme of the movie Le canard a l’orange.Continue readingArmando Trovajoli, Le canard a l’orange. The Italian School of Film Music

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Monday Notes

The music of Carlo Alberto Rossi, A chi darai i tuoi baci

[Monday Notes No 38] Carlo Alberto Rossi wrote over six hundred songs during his long and successful career. His name is associated with that of Mina, who made some of his songs famous, such as E se domani, Amore baciami, Le mille bolle blu.Continue readingThe music of Carlo Alberto Rossi, A chi darai i tuoi baci

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Monday Notes

Gassmann blues, Piero Umiliani’s music for I soliti ignoti by Monicelli

[Monday Notes n.153] For the soundtrack of the film I soliti ignoti the director Mario Monicelli chose a young Florentine musician named Piero Umiliani. Monicelli wanted a completely jazzy soundtrack, an unusual choice at the time. Let us analyse the main theme entitled Gassmann Blues.Continue readingGassmann blues, Piero Umiliani’s music for I soliti ignoti by Monicelli

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Monday Notes

Luigi Tenco, Ti ricorderai. The Italian song that turns to jazz

[Monday Notes n.25] Luigi Tenco was a unique case in the history of Italian song. He was an excellent composer but also a musician, lyricist and performer. None of his contemporary Italian songwriters had qualities comparable to his. Let us analyse his ballad Ti ricorderai.Continue readingLuigi Tenco, Ti ricorderai. The Italian song that turns to jazz

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